The Life of a Interdisciplery Artist

Working at the juncture of multiple disciplines, Eleonor Sandresky is a composer, visual artist, inventor of the Wonder Suit, producer of film with live orchestra concerts, co-founder of the MATA Festival, and performing member of the Philip Glass Ensemble family since 1991.

Eleonor’s music is heard around the world, from the Venice Biennale to her hometown of New York to the Totally Huge New Music Festival and beyond. She has received numerous grants and commissions from notable institutions such as NYSCA, ASCAP, Jerome Foundation, New Music USA, Meet the Composer, American Music Center, and has been composer-in-residence at Yaddo, STEIM (Studio for Electronic Instrumental Music) in Amsterdam, the Atlantic Center for the Arts and MacDowell.

In September 2020, in response to the COVID-19 pandemic, Eleonor launched Lunar Landscapes, a collaborative, virtual new music series that brought together composers and curious music-lovers under one of nature’s most wondrous occurrences: the full moon. In its inaugural year, the series featured twelve composers across the musical spectrum of instrumental, vocal, and multimedia disciplines and included ten world premiere performances, showcasing her own music and performances.  

Recent works include Strange Energies, a set of etudes for solo piano (2019); Wunderkammern Live! (2017) for mixed ensemble and film by Erika Suderburg which premiered on Tribeca New Music; Opening (2016) for guitar ensemble, commissioned by The NY Classical Guitar Society; and, Donne Songs Without Words (2015), for choreographed viols and baroque harp, commissioned by Parthenia with a grant from NYSCA. Other notable premieres have included Suite for String Quartet (2007) by ETHEL, and Meditation for String Orchestra (2004), recorded by the Kiev Philharmonic and released on ERM in 2006,. Her most recent music is inspired by nature and are often hybrid works that combine visuals and music.These include pieces for fixed media as well as live, often largely improvised, performances, pushing the boundaries of what a musical score can be and how to think about sound. CSUF New Music Ensemble commissioned Leaf 1: Japanese Knotweed, that was premiered in May 2023. Her graphic ‘Leaf’ scores connect to place and reimagine how line, color and form translate to sound. Conceived as a means to break down barriers between creative impulses and finished works, Eleonor also uses these ideas as teaching tools to facilitate student’s creativity becoming performable. Current projects include “Presence” for wind and string octet (2025) commissioned by Collide-O-Scope Music for premiere in 2025 and a concert and exhibition of a selection of her Leaf scores at Rockland Center for Contemporary Art in the fall of 2024.

Working at the forefront of avant-garde concert-as-theater, Eleonor reinvented herself in 1999 as the original Choreographic Pianist with her groundbreaking composition, A Sleeper’s Notebook (1999–2003), premiered at the Kitchen Keyboard Summit, in which she explores her deep interest in how motion translates to emotion through sound. Out of this work, Eleonor invented The Wonder Suit, a remote set of wireless sensors worn and used to trigger sonic events through movement during live performance. These sonic events range from discrete processes to surface manipulations of pitch and build on the concepts and ideas in her choreographed works. She has created and performed large-scale works for The Suit, including A Space Odyssey (2016) which incorporates found sounds from NASA as a basis for the composition, as well as intimate improvisational events. In recent years she has been a featured composer/performer at London's Cafe Oto, Morelia Center for Electronic Music in Mexico, San Francisco Center for New Music, USC Fullerton New Music Festival, and Gallery MC in Manhattan, among others.

Eleonor’s personal mission has always included creating opportunities for others. To that end, in 1996 she co-founded Music at the Anthology, Inc, more commonly known as the MATA Festival. MATA’s mission is to commission and premiere works by young composers in a setting of their peers from around the world in New York City. She is also a founding member of Ensemble 50, a composer-driven improvisational group. Eleonor created and curated a concert series, Rétes (RAY-tesh), where she collaborated with a different composer/performer for each concert covering a broad spectrum of musical styles and including Kamala Sankaram, Martha Mooke, Randy Gibson, and Du Yun .

As music director, Eleonor has worked in a variety of theatrical settings — from dance performances with Susan Marshall & Company to film-with-live-music projects. Deeply involved in the genre of live music and film, Eleonor composes, conducts and produces concerts of her own scores, as well as those of Leonard Bernstein and Philip Glass  throughout the world, from Beijing Music Festival to Tanglewood Summer Festival. As pianist, she performs her own works and has premiered, performed, and recorded works by Egberto Gismonti, Eve Beglarian, Kahil El’Zabar, among others, as well as with ensembles including Essential Music and the Vanguard Chamber Orchestra.

Eleonor is a graduate of the Yale School of Music, Eastman School of Music, Wisconsin Conservatory of Music, and North Carolina School of the Arts. Eleonor’s music is available on Sony Classics, Koch International, Orange Mountain Music, Supertrain Records, ERM Media, and Albany Records.