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Lunar Landscapes 17: Wolf Moon

Watercolor (2021) by Eleonor Sandresky; graphic design by Orpheus Bureau

Watercolor (2021) by Eleonor Sandresky; graphic design by Orpheus Bureau

LUNAR LANDSCAPES: Wolf Moon premieres on January 17, 2022 at 9pm ET. We will celebrate the full moon with special guest host/curator Eve Beglarian and her special guest Paula Matthusen.

Our themed cocktail is the She Wolf, and you will receive the recipe and snack recommendations when you purchase your $5 ticket, along with a unique link to the event.

Click below for tickets!


PROGRAM

Eve Beglarian, guest curator and host

Paula Matthusen, guest composer

Wolf Moon (2022) for electronics, video & narrators*

by Paula Matthusen and Eve Beglarian

texts by Matthew Cordell and Barry Lopez with texts from the Aberdeen Bestiary

*world premiere


About Eve Beglarian

Eve Beglarian, photo by JW Photography

Eve Beglarian, photo by JW Photography

According to the Los Angeles Times, composer and performer Eve Beglarian is a “humane, idealistic rebel and a musical sensualist.” A 2017 winner of the Alpert Award in the Arts for her “prolific, engaging and surprising body of work,”  she has also been awarded the 2015 Robert Rauschenberg Prize from the Foundation for Contemporary Arts for her “innovation, risk-taking, and experimentation.”

Beglarian’s current projects include a collaboration with writer/performer Karen Kandel and writer/director Mallory Catlett about women in Vicksburg from the Civil War to the present, a piece about the controversial Balthus painting Thérèse Dreaming for vocalist Lucy Dhegrae, and a duo for uilleann pipes and organ that was premiered by Renée Louprette and Ivan Goff at Disney Hall as part of the Los Angeles Philharmonic’s 100th anniversary celebrations. Since 2001, she has been creating A Book of Days, “a grand and gradually manifesting work in progress…an eclectic and wide-open series of enticements.” (Los Angeles Times)

In 2009, “Ms. Beglarian kayaked and bicycled the length of the Mississippi River [and] has translated her findings into music of sophisticated rusticity. [Her] new Americana song cycle captures those swift currents as vividly as Mark Twain did. The works waft gracefully on her handsome folk croon and varied folk instrumentation as mysterious as their inspiration.” (New York Times)

Beglarian’s chamber, choral, and orchestral music has been commissioned and widely performed by the Los Angeles Master Choralethe American Composers Orchestrathe Bang on a Can All-Starsthe Chamber Music Society of Lincoln Centerthe California EAR Unitthe Orchestra of St. Luke’s, loadbangNewspeakthe Ekmeles Vocal Ensemble and individual performers including Maya Beiser, Lara Downes, Lucy Dhegrae, and Thomas Feng.

Highlights of Beglarian’s work in music theater includes music for Mabou Mines’ Obie-winning Dollhouse, Animal Magnetism, Ecco Porco, Choephorai, and Shalom Shanghai, all directed by Lee Breuer; Forgiveness, a collaboration with Chen Shi-Zheng and Noh master Akira Matsui; and the China National Beijing Opera Theater’s production of The Bacchae, also directed by Chen Shi-Zheng.

She has collaborated with choreographers including Ann Carlson, Robert LaFosse, Victoria Marks, Susan Marshall, David Neumann, Take Ueyama, and Megan Williams, and with visual and video artists including Cory Arcangel, Anne Bray, Vittoria Chierici, Barbara Hammer, Kevork Mourad, Shirin Neshat, Matt Petty, Bradley Wester, and Judson Wright.

Performance projects include BrimSongs from a Book of Days, The Story of B, Open SecretsHildegurls’ Ordo Virtutum, twisted tutu, and typOpera.

Recordings of Eve’s music are available on ECMKochNew WorldCanteloupeInnovaNaxosKill Rock StarsCDBaby, and Bandcamp.

 Learn more about Eve Beglarian

About Paula Matthusen

Paula Matthusen, photo courtesy of the composer.

Paula Matthusen is a composer who writes both electroacoustic and acoustic music and realizes sound installations. She has written for diverse instrumentations, such as “run-on sentence of the pavement” for piano, ping-pong balls, and electronics, which Alex Ross of The New Yorker noted as being “entrancing”.

Her work often considers discrepancies in musical space—real, imagined, and remembered. Awards include the Walter Hinrichsen Award from the American Academy of Arts and Letters, a Fulbright Grant, two ASCAP Morton Gould Young Composers’ Awards, and the 2014 - 2015 Elliott Carter Rome Prize. Matthusen is currently Professor of Music at Wesleyan University.

Learn more at: https://www.paulamatthusen.com/

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December 19

Lunar Landscapes 16: Cold Moon

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March 13

The Fall of America